Di Le’s sound-department credits span feature films, television, animation, documentaries, shorts, and independent productions. His work includes production sound recording, sound-effects editing, sound design, supervising sound editorial, dialogue-focused sound editing, and stereo and 5.1 re-recording mixing.

2018
The Listening Room — Sound Designer
Developed and edited creative sound elements to support the short film’s atmosphere, storytelling, and emotional tone.
The Bastard — Sound Effects Editor
Contributed sound-effects editorial, preparing and placing effects for integration into the completed soundtrack.
Megalodon — Sound Effects Editor
Edited sound effects for the television feature, helping build its creature, action, environmental, and cinematic effects tracks.
Bonding — Sound Editor, 7 episodes
Provided sound editorial across seven episodes of the television series, preparing audio elements for the completed soundtrack and final mix.
Clara’s Ghost — Sound Effects Editor
Contributed sound-effects editing for the feature film, supporting its environments, transitions, physical action, and dramatic moments.

2017
Troll — Sound Effects Editor
Edited and prepared sound-effects material for the feature animation film’s post-production soundtrack.
Murder in the Woods — Supervising Sound Editor / Sound Effects Editor
Supervised the feature’s sound editorial while contributing sound-effects editing and helping guide the soundtrack toward its final 5.1 mix. The sound team received the 2018 Macabre Faire Film Festival Jury Award for Best Sound – Feature Film.
Empire of the Sharks — Sound Effects Editor
Created and edited effects material for the television feature, supporting its action, environments, technology, and creature-driven sequences.
The Winter Dance Party Documentary — Boom Operator / Sound Mixer
Recorded production dialogue and location sound while also operating the boom during filming.
CarGo — Sound Effects Editor
Contributed sound-effects editing for the animated feature, creating and preparing effects to support character movement, vehicles, environments, and visual action.
Agent — Sound Effects Editor
Provided sound-effects editorial for the action pack feature, preparing weapon effects material for integration into the final soundtrack.

2016
Never Too Late — Sound Designer
Developed creative sound elements and sonic textures to strengthen the short film’s story, atmosphere, and emotional impact.
Orange Dreams — Sound Editor
Contributed general sound editorial for the short film, organizing and editing audio elements for the completed soundtrack.
Snapdragons — Sound Mixer / Boom Operator
Handled production sound mixing and boom operation, recording dialogue and location audio during principal photography.
The Clean — Sound Recordist
Recorded production audio for the television series, capturing dialogue and location sound for post-production use.
Trollz — Sound Effects Editor
Edited sound effects for the animated production, supporting character movement, visual action, environments, and comedic timing.
All Out Dysfunktion! — Sound Designer / Re-Recording Mixer / Trailer Re-Recording Mixer
Created sound-design material and contributed to the final re-recording mix, including a dedicated mix for the project’s trailer.
Man in Ceiling — Sound Mixer
Recorded and mixed production dialogue and location sound during filming for the short.
Izzie’s Way Home — Sound Effects Editor
Edited sound effects for the animated feature, helping build its underwater environments, character movement, and story-driven action.
Daisy — Boom Operator / Sound Recordist
Captured production dialogue and location sound while operating the boom for the short film.
WEAPONiZED — Sound Mixer
Worked as a production sound mixer, recording dialogue and location audio during principal photography for the feature.
Zoombies — Sound Effects Editor
Contributed sound-effects editing for the feature’s creature action, environments, impacts, movement, and cinematic set pieces.
Little Dead Rotting Hood — Sound Effects Editor
Edited effects for the horror feature, supporting creature activity, physical action, environments, and suspense-driven sequences.

2015
In Good Faith — Re-Recording Mixer
Balanced and combined the project’s dialogue, sound effects, ambience, and music into its finished post-production mix.
A Fat Cherry Cake — Sound Mixer
Recorded and mixed production dialogue and location sound during filming for the short.
Zelma’s Unfinished Business — Sound Designer
Created and edited sound elements to develop the short film’s atmosphere, dramatic moments, and sonic identity.
Next Day Getaway — Sound Effects Editor / Sound Mixer
Recorded production sound during filming and later contributed sound-effects editing for the completed soundtrack.
Grrl Scouts — Sound Mixer / Boom Operator
Handled production sound mixing and boom operation, capturing dialogue and location audio for the short.
Bad Bonnie — Sound Mixer
Recorded production dialogue and location sound for the television miniseries.
Little Friend — Sound Mixer
Captured and mixed production sound for the short film, including dialogue and location ambience.
Couples Who Run Together — Re-Recording Mixer
Combined and balanced the project’s dialogue, effects, ambience, and music into the finished post-production mix.
Jane Don’t Date — Sound, 1 episode
Contributed to the sound department for one episode of the television series.

2014
The Man I Thought I Knew — Sound Mixer
Recorded and mixed dialogue and location sound during production for the short film.